PLACERES CULPABLES ("No son buenas películas, pero hay en ellas cosas que hacen que te gusten y que las vuelven valiosas", dice Scorsese)
- AGONY AND THE ECSTASY (1965, Carol Reed)
- ALEXANDER THE GREAT (1956, Robert Rossen)
- BARABBAS (1961, Richard Fleischer)
-THE BIBLE (1966, John Huston)
-BLACK MAGIC (1944, Phil Rosen)
-BLOOD ON SATAN’S CLAW (1971, Piers Haggard)
-THE BROTHERS KARAMAZOV (1958, Richard Brooks)
-CAPTAIN KRONOS, VAMPIRE KILLER (1974, Brian Clemens)
-CARRY ON CLEO (1964, Gerald Thomas)
-CIRCUS OF HORRORS (1960, Sidney Hayers)
-THE CITY THAT NEVER SLEEPS (1953, John H. Auer)
-DAMN YANKEES (1958, George Abbott & Stanley Donen)
-ELEPHANT WALK (1954, William Dieterle)
-THE FBI STORY (1959, Mervyn LeRoy)
-FANTASMI A ROMA (1961, Antonio Pietrangeli)
-THE FLESH AND THE FIENDS (1960, John Gilling)
-FOREVER AMBER (1947, Otto Preminger & John M. Stahl)
-THE GOLDEN MASK (1953, Jack Lee)
-HALLS OF MONTEZUMA (1950, Lewis Milestone)
-HELEN OF TROY (1956, Robert Wise)
-HONOR THY FATHER (1973, Paul Wendkos)
-HORRORS OF THE BLACK MUSEUM (1959, Arthur Crabtree)
-INVASION U.S.A. (1952, Alfred E. Green)
-THE IRON MAIDEN (1962, Gerald Thomas)
-KING OF KINGS (1961, Nicholas Ray)
-THE LAST VALLEY (1971, James Clavell)
-THE LEGEND OF HELL HOUSE (1973, John Hough)
-THE MAN FROM COLORADO (1948, Henry Levin)
-THE MAN WHO NEVER WAS (1956, Ronald Neame)
-MIDDLE OF THE NIGHT (1959, Delbert Mann)
-MR. SARDONICUS (1961, William Castle)
-THE NAKED JUNGLE (1954, Byron Haskin)
-OCEAN’S 11 (1960, Lewis Milestone)
-ONE MILLION B.C. (1940, Hal Roach & Hal Roach, Jr.)
-PAL JOY (1957, George Sidney)
-PEOPLE WILL TALK (1951, Joseph L. Mankiewicz)
-PETE KELLY’S BLUES (1955, Jack Webb)
-THE PRIDE AND THE PASSION (1957, Stanley Kramer)
-PRINCE OF FOXES (1949, Henry King)
-THE PROUD AND THE BEAUTIFUL (1953, Yves Allegret & Rafael E. Portas)
-THE PURPLE HEART (1944, Lewis Milestone)
-QUO VADIS? (1951, Mervyn LeRoy & Anthony Mann)
-RAINTREE COUNTRY (1957, Edward Dmytryk)
-SANDS OF THE KALAHARI (1965, Cy Endfield)
-THE SCENT OF A WOMAN (1974, Dino Risi)
-THE SNOWS OF KILIMANJARO (1952, Henry King)
-SODOM AND GOMORRAH (1962, Robert Aldrich)
-THE STREETS OF LAREDO (1949, Leslie Fenton)
-THE THREE MUSKETEERS (1948, George Sidney)
-THE VAMPIRE CIRCUS (1972, Robert Young)
50 PLACERES NO CULPABLES ("Películas que amo")
-AL CAPONE (1959, Richard Wilson)
-ARSENIC AND OLD LACE (1944, Frank Capra)
-AUTUMN LEAVES (1956, Robert Aldrich)
-BATTLEGROUND (1949, William A. Wellman)
-THE BIG LIFT (1950, George Seaton)
-BLANCHE FURY (1948, Marc Allegret)
-CANYON PASSAGE (1946, Jacques Tourneur)
-THE CHAPMAN REPORT (1962, George Cukor)
-THE CLIMAX (1944, George Waggner)
-THE COMIC (1969, Carl Reiner)
-CORRIDORS OF BLOOD (1958, Robert Day)
-THE DESERT FOX (1951, Henry Hathaway)
-DON’T MAKE WAVES (1967, Alexander Mackendrick)
-DRUMS (1938, Zoltan Korda)
-THE EASY LIFE (1962, Dino Risi)
-FLIGHT OF THE PHOENIX (1965, Robert Aldrich)
-THE GIRL CAN’T HELP IT (1956, Frank Tashlin)
-THE GUNS OF BATASI (1964, John Guillermin)
-THE HAUNTING (1963, Robert Wise)
-HILL 24 DOESN’T ANSWER (1955, Thorold Dickinson)
-IDIOT’S DELIGHT (1939, Clarence Brown)
-INSECT WOMAN (1959, Roger Corman & Jack Hill)
-INVADERS FROM MARS (1953, William Cameron Menzies)
-IT’S IN THE BAG! (1945, Richard Wallace)
-JASON AND THE ARGONAUTS (1963, Don Chaffey)
-THE JUNGLE BOOK (1942, Zoltan Korda)
-KING SOLOMON’S MINE (1950, Compton Bennett & Andrew Marton)
-KILL BABY, KILL (1966, Mario Bava)
-LEAVE HER TO HEAVEN (1945, John M. Stahl)
-LIVING IT UP (1954, Norman Taurog)
-THE LONG SHIPS (1964, Jack Cardiff)
-THE MACOMBER AFFAIR (1947, Zoltan Korda)
-MAFIOSO (1962, Alberto Lattuada)
-THE MAN BETWEEN (1953, Carol Reed)
-THE MAN IN THE IRON MASK (1939, James Whale)
-THE MAN WHO COULD WORK MIRACLES (1936, Lothar Mendes & Alexander Korda)
-THE MAZE (1953, William Cameron Menzies)
-THE NAKED PREY (1966, Cornel Wilde)
-PANDORA AND THE FLYING DUTCHMAN (1951, Albert Lewin)
-PAY OR DIE (1960, Richard Wilson)
-THE PICTURE OF DORIAN GRAY (1945, Albert Lewin)
-PORK CHOP HILL (1959, Lewis Milestone)
-THE PURPLE PLAIN (1954, Robert Parrish)
-THE RAZOR’S EDGE (1946, Edmund Goulding)
-THE RED TENT (1969, Mikhail Kalatozov)
-SHAKE HANDS WITH THE DEVIL (1959, Michael Anderson)
-TAKE CARE OF MY LITTLE GIRL (1951, Jean Negulesco)
-TOO LATE BLUES (1961, John Cassavetes)
-IL VIAGGIO (1974, Vittorio De Sica)
-WHERE’S POPPA? (1970, Carl Reiner)
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